Category Archives: Kathleen Thoma Art Exhibitions

My work now available through Saatchi Art

 

photo solar plate test

solar plate test

It’s been very busy year for my work. I have worked with new techniques, entered new groups and relationships and made my work available through Saatchi Art.com, in addition to my own web store. My work was in a number of shows and I look forward to the next one, which will be called “Heart Seed” in RI, starting in December.

 

 

I am sharing photos of some experimental printing techniques that I have messing around with in my studio. Since I am not yet satisfied with any of them yet, they aren’t in my galleries. It is fun to try a lot of new stuff, because if I don’t, then I get bored with my own work. Which then leads me to stop working at all. I see it as daily exercise, like a dancer or musician has to practice each day to remain in shape.

 

Photo of test plate-Kathleen Thoma Art

“Riot”, solar plate test, Kathleen Thoma Art

I have printed some offset postcards of some of my work, which will be available through my store soon.

photo of Flora Post Cards

Flora Post Cards

In October I attended a “Surrealist Tea” which was at The Chado Tea Room in Pasadena, to celebrate the 40th anniversary of the SCWCA. This was great fun and informative as our guest speaker was professor Gloria Orenstein.

photo of Gloria Orenstein

Gloria Orenstein

It was wonderful to learn about the ignored and forgotten great women surrealist artists, (such as Leonora Carrington) of which there are many. I was taught only about male surrealists in art school, but that is a topic I won’t rant about here. The tea was great fun and I wish it would happen every year.

In my explorations of Leonora Carrington, I discovered her wonderful book, “The Hearing Trumpet”. It is funny, very surrealistic, and it should be better known. It is available through Amazon.

photo of scwca tea

SCWCA Surrealistic Tea at the Chado Tea Room

 

Showing at the LA Printers Fair 2015

On October 3, I enjoyed participating in the “Los Angeles Printers Fair 2015”, at the International Printing Museum in Carson, CA. I was at table 1A, inside the building, for those of you who may have stopped by. The show was a wonderful event, many great vendors, and demostrations. I had a blast and wish I could do this show every weekend.

photo of table at LA Printer's fair

My table at the 2015 LA Printer’s Fair

This is part of my greater goal of answering the larger question, which is…

How do I re-create my new and latest studio-nest?

Framed 8x10's ready to go by Kathleen Thoma

Framed 8×10’s ready to go

Many times in my life, I have been forced to move very long distances, both for reasons of choice or by circumstances beyond my control. I have lived in three countries, France, Canada and in six states in the US. I have had plenty of opportunities to learn both flexibility and adaptability. This has always been a challenge, an adventure, and it has also provided support to my creative endeavors. My most recent move from Connecticut to Orange County, CA was a very necessary one, for my husband badly needed a job, and I wanted to return to Southern California.

Wherever I go, I need to create a new studio, which I think of as a “nest” for incubating my venerable young ideas on their way to becoming whatever it is they need to grow into. I think of my studio as a nest because that is where I find myself and create a quiet, creative home for my work. (more…)

What is a Monotype?

Tropical Desires, Kathleen Thoma Art, 11x14 monotype

Tropical Desires,
Kathleen Thoma
Monotype,
11×14 inches

What is a Monotype? People often ask me this question, so it seemed to me be a good idea write about it. A monotype is a specific art technique. It doesn’t resemble other traditional printmaking methods such as engraved, relief carved, etching or lithographed prints which can produce exact, repeated copies. “Mono” means one, “Type” means print, so they are one-of-a-kind unique prints.

There is a long fine art tradition of monotype printing that most are unaware of, Edgar Degas, Camille Pissarro, Paul Gauguin, Marc Chagall, William Blake and Henri Matisse all created monotype prints. However, these monotype works were often less well known.

Technically, a monotype is a simple form of printmaking. It begins with applying ink or paint onto a metal, glass or plexi-glass plate, manipulated with brushes or other tools; then pressure is applied, through the artist’s hand or through the press. (more…)

photo-Fallbrook Art Center

Transferring Ink 3 accepts my work

photo of Kathleen Thoma at Transferring Ink 3 show opening

Kathleen Thoma & “Seaflight” at Transferring Ink 3 printmaking show opening

I’m happy to report the acceptance of one of my fine art prints into an exhibit, “Transferring Ink 3”  a printmaking show at the Fallbrook Arts Center in Fallbrook, CA. The show runs from June 29 – August 10, 2014.

The Juror for “Transferring Ink 3” is Ron Pokrasso, who has a section of the show with his wonderful prints. The works in the show have a high level of skill and variety of printmaking techniques which makes it interesting and informative.

The opening was well attended, and we all enjoyed ourselves.

 

 

photo-Fallbrook Art Center

Fallbrook Art Center

 

The Fallbrook Art Center has a beautiful gallery which provides numerous exhibitions and opportunities for artists and collectors each year.

 

Show Invite to Transferring Ink 3 at Fallbrook Art Center

Show Invite to Transferring Ink 3, at Fallbrook Art Center

It’s worth a look at their web site to see all they have to offer: www.fallbrookartcenter.org

 

 

 

Print is ready to pull off the plate

Demontration/monotypes with hand-cut stencils

This is a series of photos demonstrating

the process of creating a monotype using hand-cut stencils.

Kathleen Thoma creating a monotype in her studio

First I start with my palette of colors. Choosing color depends on my mood or the idea I have in my head. Then I cut out my stencils using flexible, soft sheets of plastic, like cut-up plastic file folders.

Hand cut stencils

I use a piece of plexiglass or glass for my plate.  I apply thin layers of ink or paint onto the plate, playing with layers of stencils until I have what seems to be a good starting layer to put through the press. This decision is often a guess based on experience. What is fun about monotype printing is that you never have complete control over the final outcome. This can also be frustrating of course. Sometimes you don’t like the print, so you have to wipe it off and start over. (more…)