Category Archives: Kathleen Thoma fine art hand-pulled printmaking

Photos from “ImMigration Project”

Photos from “ImMigration project 3” a collaborative traveling group exhibition showing at Self-Help Graphics and Art. 

ImMigration Project photos

ImMigration Project at Self Help Graphics and Art. Many artists are shown on the wall that I am next to.

 Showing : Saturday, January 11th to February 22nd, 2020

 Opening Reception, January 11th, 7PM – 9PM

Photos from ImMigration Project

Each printmaker has contributed a triangle shaped image to this wall display. There are many displays in the show.

I am showing a few shots from the opening night of “ImMigration Project” just to give some idea of how the show looks, which is pretty great. I am one of a great many printmakers from all over the place who have sent in their many interpretations and various techniques of the theme of immigration, but also of migration in general, of any sort. To live on our planet is to move with life and it’s demands upon us. Some of us move often, some very far or not so far. The idea of borders is a purely human construction of the mind, with many sad events as a result. 

Photos from ImMigration Project

Here is another group of contributions from Printmakers from all over on the topic.

Some of the printmakers focus on the human tragedies and death camps. Some focus instead on seasonal animal migrations that are now also about climate change. All the images share ideas about the purpose of migration and immigration; for a better life, or for food, or to escape horror and war.

Photos from ImMigration Project

Our curator, Mary Sherwood, who came up with this wonderful show for us all, and myself.

ImMigration has previously shown in Denton, Texas, Venice, Italy and now here in Los Angeles, CA at Self Help Graphics and Art. More locations for this traveling show will be announced later.

More info: LAPrintmaking.com or on Instagram for more and better photos than here. Also on Facebook on the LAPS page

selfhelpgraphics.com/exhibitions

Kali as a symbol of Climate Change

The Age of Kali, Kathleen Thoma, monotype, 14.5X17.5 in

The Age of Kali, Kathleen Thoma, monotype & chine colle, 14.5x 17.5 in

Art, Earth Day & Climate Change

While creating an entry for the upcoming show; Sweet Earth/Bitter Earth at the Center for the Arts, Eagle Rock, CA; the myth and stories of the Hindu Goddess Kali, jumped into my mind. 

The theme this year is our relationship to the environment. And for me, that is the heartbreaking news of climate change which is everywhere around us and has been ongoing for a long while. According to recent UN reports, we are nearly out of time. We have about twelve years perhaps.

I have always seen climate change in symbolic forms as if it were happening through a series of images from a dream. This dream which is shared by all of the life on our planet; is either going to be changed by all of us working together or it will continue growing into a nightmare. 

My image shows the “ruins” of our lives and civilizations in the upper left, while also showing the “forest of life” to the right. So the image can be read in either direction. The question becomes: Are we going to towards the ruins of our planet’s ecosystem? Or are we going to rebirth our planet?  And while Kali dances between the two possible futures; at her feet, we see the poisons that we have already left behind on earth, the plastic, the death, the radiation. 

The Hindu Goddess Kali is a complex, ancient symbol of change, death and rebirth, healing, cycles of time, and opportunity. Although most traditional images show her only in her terrible death aspect, she is also seen as the mother, who gives us the courage to hope while she helps cut away ignorance with her wicked sword. 

The Los Angeles Printmaking Society is a national non-profit artist-run organization. The juror, Marion Estes has selected many wonderful hand-pulled prints for this exhibition.  I hope you will see our LA Printmaking Spring Show at Eagle Rock from April 5-April 30, which in conjunction with many other Earth Day-related activities. 

Update: 

 I have a few photos to share from the opening.

Exhibition Signage

2019-Sweet Earth-Bitter Earth exhibition signage

The Age of Kali, Kathleen Thoma

The Age of Kali, Kathleen Thoma

gallery view of Sweet Earth/Bitter Earth, Center for the Arts at Eagle Rock, LA

Gallery view of Sweet Earth/Bitter Earth, Center for the Arts at Eagle Rock, LA

link to info on exhibition

 

Dreaming, Spirit and the Creative Impulse

I thought that I would post some of my recent images, which continue my explorations into the intersection between dreaming, spirit and the creative impulse.

Evocation of Spring, Kathleen Thoma, monotype, relief, chine colle, 14x11

Evocation of Spring, Kathleen Thoma, monotype, relief, chine colle, 14x11in,

“Evocation of Spring” begins with a memory and a dream. The dream involves the image of huge open book, which has forms within it that I am still learning how to read. The memory is from childhood, of the delicate colors of spring flowers and the sound of rain falling into a pond. Using abstract symbols to express sound was a fun challenge, which I have played with in the past. Many of my previous works were created by remembering the sound of drums, or by listening to drums as I work.

Perennial Mosaic, Kathleen Thoma, monotype, relief, chine colle, 14x11 in

Perennial Mosaic, Kathleen Thoma, monotype, relief, chine colle, 14x11in

“Perennial Mosaic” is another dream-like image, a collection of impressions from plants, sound patterns, and the colors of summer. These appeared to me as a mosaic of shapes, so I allowed them to grow together.

A Woman's Psyche, Kathleen Thoma, monotype, relief, collage, chine colle, 11x14 in

A Woman’s Psyche, Kathleen Thoma, monotype, relief, collage, chine colle, 11x14in

“The Psyche of Woman” shows the symbiotic relationship between human and nature as it should be, when humans are working to support our world instead of working against it. The woman is in her separate space, yet she is dependent upon her surroundings, whether or not she is aware of it.

These monotypes will be in my portfolio gallery very soon.

I am very happy that I was accepted into the Los Angeles Printmaking Society! I loved their recent show “Air, Water and Earth” at the Muckenthaler Cultural Center in Fullerton, CA. I spent a great deal of time at the show, just taking it all in. I look forward to showing my work with them when the time is right.